May 15, 2017
North Korea, feeling pressure from the United Nations is asked to explain why geological instrumentation is picking up nuclear weapon detonation without any observable evidence of the detonation.
As an embargo is threatened by the UN and the United States has surrounded North Korea by sea, North Korea reveals to the world that it has leveraged advanced technology to deceive image capturing systems by satellites and planes and has been doing so since 1973.
It then allows the UN to overfly North Korea, provided the flights are approved.
A series of flights are approved by countries around the world, with the strong exception of the United States, who is asked to dismantle their forces on the borders and send them home before overflights will be permitted.
Imagery returned by the overflights are remarkable.
North Korea appears to have developed technologically, industrially – in ways that defy all imagination. High rise buildings in Pyongyang which has evidence of a robust population of nearly 30 million, High speed rails traveling 300 miles per hour between their major cities, highways where cars are traveling in excess of 120 miles per hour, and roads which seem to be lit with a light fluorescent material that make it clearly visible at night.
It’s as if the country leapt ahead of the United States technologically by 50 years by closing it’s borders to the world.
In disbelief, the President of the United States denies North Korea’s request and permits a military overflight at high altitudes, and directs several observational satellites over North Korea.
The result is catastrophic.
No sooner does the flight enter North Korean airspace then it is frozen in place and no longer responsive.
No weapon appears to have gone off. It’s just. Frozen.
Similarly, as the satellites approach North Korea, they enter and exit instantly, with absolutely no record of actually having entered the territory. It is as if they are teleported instantly to the other side of North Korea.
This provokes a strong response by North Korea.
A woman comes on.
She is very attractive, and looks Caucasian, and in a message to the UN, denounces the United States.
“The United States has seven days to remove their forces from our borders, or else.”
The President of the United States responds “With its outright and continued deception to the world, North Korea has proven to be not just a threat to the region, but to the entire world. If North Korea does not agree to the terms and provisions we have provided to the United Nations within seven days, the United States will have no other options than to dismantle the threat to this world”
The United States demands terms which include handing over all technological advances that North Korea has made.
A video is received by the United Nations and the United States. It shows a robotic factory with hundreds of titanium based skeletons being built. The video details a plastic polymer compound which reacts to an electrical current by tensing in the same way human muscles do. The video then continues to show the bipedal robot walking, doing push ups, pull ups, and running. The video ends abruptly.
A video is received by the United Nations and the United States, a professional title which says “Test Phase”
The video first shows five robots in circle playing catch with something that’s clearly metallic as it lands in the hands of each robot with grace yet a clear ‘ting’ of metal on metal. The dexterity is amazing, and the small object, no larger than 2 1/2″ inches in length and 1 1/2 inches in diameter is thrown about 10 feet to the next robot, all perfectly catching and promptly throwing the object in one fluid motion.
A voice is heard from off-screen as the object is midair.
“PULL THE PIN!”
As the next robot catches the object, a pin is pulled and tossed directly towards the video capturing device and the video is slowed down to show the pin, clearly, is the pin of a grenade.
The video promptly resumes normal speed as the grenade is just as fluidly tossed to the next robot, to the next, to the next and suddenly.
KAPOW!, the grenade goes off as the robot passes it three inches above his chest from his left hand to his right hand, knocking the robot about five feet back on the ground.
“NEXT!” yells the voice from offscreen.
The four robots still standing walk off screen, and return with M16A2 rifles and point them at a single point on the wall behind them, as the other robot – gets up, seemingly uninjured, and walks to the wall standing in front of the rifles.
The lights dim and the video shows a clear view of the four robots taking aim at the robot on the wall.
Tracers are clearly seen as the robots open fire with bursts of three, then in a fluid and elegant motion, cock the rifles and resume until their entire clip is spent as all the robots stand motionless.
The video moves in on the single robot, who is now surrounded by the remnants of rifle bullets, as the video does a close up of the robot’s body.
There’s a clear black scorch at the point the grenade exploded, but no apparent physical damage for the entire body.
The video fades to black.
A series of scenes follow of various robots being run over by cars, trucks and tanks, being hit by mortars and rocket launchers, and falls from great heights. While the robot does suffer some damage from these attacks, it obeys the orders it was given using the rest of it’s functioning systems and doesn’t seem to be close to ceasing functioning.
A video is received by the United Nations and the United States from North Korea. From afar, it shows thousands, hundreds of thousands of troops lined up and walking in formation. The video flies closer and closer and then we see something curious. Every single person in uniform is a very attractive woman, from a wide variety of ethnicities, mostly Caucasian.
The video then shifts to another female, a sergeant by the ranks on her arms – gives her commands – in English – to a platoon that’s been singled out.
“Soldier 7 of row 9, front and center!” she commands.
The soldier, a tall woman who looks to be a Caucasian brunette around the age of 29, is 5’9″ tall, and clearly very attractive.
“Arms down!,” the sergeant yells.
The woman, who’s carrying a bayonet style rifle on her shoulder, in a motion that’s inhumanly fluid, promptly and gracefully sets the weapon down in front of her and then stands back to attention.
“Unmask!,” the sergeant yells.
The woman’s hand reaches up to her face, the palm of her hand crosses over the bridge of her nose and her fingers extending over it, to which we see her face mask come off and a robot’s face is revealed.
The sergeant takes her finger and holds it in front of the robot woman.
“Follow my finger!,” she yells.
We see the natural looking eyes set unnaturally in the robot face moving naturally tracing the sergeant’s finger as she moves back and forth.
The sergeant then stands back as the video backs away from the individual to the troop.
“Troop!” she yells, “Arms down!”
Nearly 200 very attractive women, all carrying bayonet style rifles on their shoulders, in a motion that’s inhumanly fluid and in perfect synchronization with eachother, promptly and gracefully set their weapons down in front of them and stand back to attention.
“Troop!,” she yells, “Unmask!”
The professional looking video moves smoothly across and around the faces of the women as they unmask and reveal their robot faces, as the video then pans across hundreds of troops and shows thousands of women of all ages.
A video is received. This time it’s delivered to John McCain’s office.
The video is of American college students in what is clearly Stanford University.
A professional placard comes up which says “The Stanford Prison Experiment”, and a digital slash is put underneath the video with the words ‘uncut’ written in red underneath it.
The college students are clearly acting much less tamely than had been documented. The females prisoners are forced to be without clothes by the male guards at all times, and are forced to perform fellatio and have intercourse with the guards, and the males are systematically beaten, one to the point his eye is clearly seen protruding from his head, out of it’s socket, and another is refused medical help with his arm clearly broken and bent back at the elbow. The roles reverse, the situation escalates, to the point a male is beaten and pulled away in an ambulance, comatose.
The placard comes up again, reading “The American Prison Experiment”, with the Stanford crossed out.
The video fades to black and shows a split screen of two children, each appearing in sterile looking rooms.
“Subject: Klebold, Dylan” appears as a caption on one screen and “Subject: Harris, Eric” appears on the caption of the other.
They are young.
No older than seven years old.
A divider opens between the two rooms, and the two children commence playing with eachother.
Another door opens, and a third unnamed child enters. She is of the same apparent age. The children all begin playing with eachother.
A song comes on over the intercom, and Dylan and Eric both stand up, obediently looking at the speaker emanating the song, and then they turn to the girl as Eric commences strangling her and Dylan proceeds to kick her.
The girl’s lifeless body remains as the two boys go on about their playing, as two men come in and take the young girl out of the room.
The song stops.
Eric turns to Dylan “Where did Lucy go?”‘
Dylan responds with “I don’t know.”
A young Chinese man is seen on a home made video with the date and time clearly seen in the right hand corner.
The date reads: May 12th, 1989 10:23 am, and the video is paused on a man wearing a white shirt and black trousers, holding a shopping bag.
The video resumes.
“My name is Jeffrey Zhang, and I am a first generation Chinese immigrant living in America. I believe the only way to pave a path to peace, worldwide, is to call attention to those who seek to oppress on a global scale. I have it on good authority that the Chinese Army are building up forces to invade North Korea, and have no intention on stopping there and plan a worldwide assault. I believe one man standing up for what he believes in and what’s right can make a difference and change the fate of the world. “
Videos from several sources are rotated through, next, and show Tiananmen Square in 1989. with “The Tank Man”, a man wearing a white shirt and black trousers holding a shopping bag standing in front of a row of tanks in Tiananmen Square.
As the tanks came to a stop, the man gestured towards the tanks with his bag. In response, the lead tank attempted to drive around the man, but the man repeatedly stepped into the path of the tank in a show of nonviolent action. After repeatedly attempting to go around rather than crush the man, the lead tank stopped its engines, and the armored vehicles behind it seemed to follow suit. There was a short pause with the man and the tanks having reached a quiet, still impasse.
Having successfully brought the column to a halt, the man climbed onto the hull of the buttoned-up lead tank and, after briefly stopping at the driver’s hatch, appeared in video footage of the incident to call into various ports in the tank’s turret. He then climbed atop the turret and seemed to have a short conversation with a crew member at the gunner’s hatch. After ending the conversation, the man descended from the tank. The tank commander briefly emerged from his hatch, and the tanks restarted their engines, ready to continue on. At that point, the man, who was still standing within a meter or two from the side of the lead tank, leaped in front of the vehicle once again and quickly re-established the man–tank standoff.
Video footage shows two figures in blue pulling the man away and disappearing with him into a nearby crowd; the tanks continued on their way.
The video starts with a black screen as the original Orson Wells and War of the Worlds begins playing.
The announcer says “Ladies and gentlemen, we interrupt our program of dance music to bring you a special bulletin from the Intercontinental Radio News. At twenty minutes before eight, central time, Professor Farrell of the Mount Jennings Observatory, Chicago, Illinois, reports observing several explosions of incandescent gas, occurring at regular intervals on the planet Mars. The spectroscope indicates the gas to be hydrogen and moving towards the earth with enormous velocity. Professor Pierson of the Observatory at Princeton confirms Farrell’s observation, and describes the phenomenon as (quote) like a jet of blue flame shot from a gun (unquote).”
The playback device stops, rewinds by itself and quickly replays the words.
A video is received from North Korea.
A split screen image comes up.
On one side of the image is the Golden Gate Bridge in San Francisco. On the other side is a small production with the Pyramid of Giza clearly in the background.
A single very attractive woman walks up – front and center – to the video in San Francisco and simultaneously in Egypt.
Both talk and move in complete synchronization with eachother.
“Hello. My name is Rachel, and I am here to demonstrate technology which might be of interest to you, but first.”
“I am Rachel One,” the woman from San Francisco says, and reaches to her left to grab a newspaper, a copy of the New York Times dated today, May 22nd, 2017, and holds it up for us to see.
A perfect replica of the woman in Egypt speaks next, and says
“And I am Rachel Zero,” as a feminine hand reaches from behind us to hand her the same paper which she holds up to the camera. She then takes a red marker and prints, boldly “RACHEL ZERO” across the newspaper, and sets it on top of a mechanical and electronic apparatus that’s standing about four foot in height and width behind her.
“When activated, “ says Rachel One.
Rachel Zero presses a button on an apparatus to the right of us which is pointing at the paper, as Rachel Zero and seamlessly continues speaking where Rachel One left off as if one person saying one sentence…
“The device can send organic material,” as we hear a hum and see a web of blue light strike and then envelop the newspaper, and with a high pitched ringing sound disappears from Egypt as it simultaneously reappears in San Francisco, with no discernible latency.
As Rachel One picks up the newspaper and holds it up to the camera where we see the signature of Rachel Zero on the newspaper as Rachel One says “Instantly, to a remote location through geospatial positioning accurate to within zero point two millimeters”
“As well as,” Rachel Zero continues, pressing a few buttons on the apparatus and shifts it downwards to point to the device on the ground.
“Inorganic matter of any known substance,” Rachel One continues, as she puts on a pair of goggles and turns towards the bridge.
“Rachel One, are you ready?,” Rachel Zero says.
“As ready as I will ever be,” she says with a smile
Without hesitation, Rachel Zero presses a button on the device on the floor, where a digital LED lights up at 00:00:10.000, which promptly begins counting down to zero, and then she presses a button on the apparatus as the large device on the floor instantly disappears in a flash of blue light followed by a small flash of blue light just above the bridge and now is easily seen dropping in the distance above the bridge.
“2… 1 and ,” Rachel Zero says when a brilliant flash of light appears where the object was once falling.
It takes a moment to see again, the light was so brilliant, but as the camera comes back into focus again, we can clearly see Rachel One standing in the same place she was in moments before looking at the bridge.
“Status, please,” Rachel Zero says.
“One moment,” Rachel One says as she removes her goggles and stared at the bridge.
We can tell the bridge has clearly changed color.
It’s no longer red.
“The full transmutation has been successful,” Rachel Zero responds.
“As you’ll find,” Rachel Zero says, “Your Golden Gate Bridge is now 18 carat gold and now has a name appropriate for it’s material composition. it is much stronger than the original steel it was originally built with. You can send your experts to inspect the bridge immediately.”
Rachel One continues, “We expect this will suffice as a token of our friendship and generosity. “
Traffic is seen clearly stopping on the Golden Gate Bridge in the background, as people get out of their cars to look at the bridge.
Both Rachel in Egypt and San Francisco walk to directly in front of our view and look sternly at us as they both speak in perfect synchronization with eachother as they remove their face masks exposing the robotic faces.
“If you do not begin immediate efforts to dismantle your military efforts around our country by the end of day today,” both say.
“If you do not show immediate signs of withdrawal,” Rachel One says
“We live among you. We are your wives. Your children. Your neighbors,” Rachel Zero says.
“We serve you coffee, make your sandwiches, and wait your tables. You see us through your entertainment sources, and we provide the food and water you take for granted will be at the stores you shop at,” Rachel One says.
“So we repeat. If you do not show immediate signs of withdrawal by midnight, universal time,” Rachel One says
Rachel Zero leans over and pushes the button on the apparatus, and is instantly transported to San Francisco.
As both say “There will be hell to pay.”
A light flashes, and another copy of Rachel flashes behind the two unmasked women.
And another. And another. And another. And another.